Whitlock’s tailoring, three models and a field outside Marfa, under a sky that would not clear.

What fits in one bag when a job starts in Marfa and ends six hundred miles away.

Close portraits in available light, and why I stopped asking people to relax.

Everybody avoids the midday sun. For North Current’s swimwear, it was the whole point.

Dry Creek’s winter coats, shot indoors with nothing but the lamps already in the room.

Photographing a concrete house in fresh snow for Lumen Press, and learning to expose for white.